Claude Monet and Giverny
Normandy—and more specifically its sky—has long been a source of inspiration for Claude Monet. Fascinated by the constant variations in light and the shifting colors throughout the day, he developed a new style of painting in which the moment, the atmosphere, and movement took precedence over academic representation. This marked the birth of the Impressionist movement, a true artistic revolution that would spread throughout the world.
While Monet is now known worldwide for his house, garden, and famous *Water Lilies* in Giverny, he also dedicated one of his most iconic series to Notre-Dame Cathedral in Rouen.
Between 1892 and 1894, working from a room on the first floor of the former Hôtel des Finances—which was then occupied by a women’s clothing store—Monet painted the cathedral’s façade at different times of day. His goal was not to depict the monument itself, but to capture the effects of light on the stone, the shadows, the reflections, and the infinite nuances of the Normandy sky. Each canvas thus becomes a unique interpretation of the same subject, in which color and light are the true protagonists.
One can easily imagine that, between painting sessions, the artist would have enjoyed finding refuge in a quiet, welcoming place like the Hôtel Cardinal. Located across from the cathedral and still offering an exceptional view of this masterpiece of Gothic architecture, the hotel seems to fit naturally into Monet’s world. It’s an ideal spot to contemplate the changing light throughout the day, let one’s gaze wander, sketch a few notes, or simply find some peace and quiet before picking up his brushes again.































